They were all dreaming up their own micro-masterpieces, works that stand up well beyond the boundaries of “music for video games.” In the process, it reveals that while Tanaka was using the hyper-nostalgic bleeps and technological restrictions of the era to riff on dub and reggae, composers like Yuzo Koshiro and Soshi Hosoi were drawing from Detroit techno and minimalist composition too. An outgrowth of the video interview series and radio show Dwyer created for Red Bull Music Academy, the compilation surveys the glory days of 8-bit and 16-bit Japanese VGM in the 80s and early 90s chip era, building on the curator’s efforts to share the untold history of Japanese VGM with the world. This will be hugely beneficial for everyone who plans to build a career in composing or designing sound.Over the last couple of years, Dwyer has been working closely with London’s Kode9 and his Hyperdub record label to compile Diggin’ in the Carts: a Collection of Pioneering Japanese Video Game Music. Those sessions will be a unique opportunity to have closer look into the world of music and sounds of contemporary video games. In parallel to the festival’s concerts, meetings and discussions will be held with several game audio professionals, including masterclass workshops conducted by composers, such as Gareth Coker, as well as other special guests of Game Music Festival 2022 (see below for a complete list). During masterclass workshops, participants will be able to ‘see backstage’, discover something about how audio is being created for games, improve their various competencies, and learn many new tips and tricks to better create and analyse game music. Game Music Festival consists of more than concerts featuring the music of video games it also involves multiple educational and informative events, sessions, and meetings with composers, industry leaders, and experts. Masterclass workshops: see details here.Woodwinds soloist Kristin Naigus, who performed all of Ori’s specialist woodwinds in the original soundtracks, is also joining us on our musical journey. The performance by Philharmonia Orchestra and Hertfordshire Chorus will take the audience on a journey through Ori’s world as never heard before. Maestro Robert Kurdybacha is no stranger to the music of video games as a conductor and arranger, he is an experienced academic tutor who wrote several fan-favourite symphonies for previous Game Music Festivals. The universally acclaimed sequel, Ori and the Will of the Wisps, quickly gained a reputation of being a masterpiece in its own right, thanks once again to another unforgettable score by Gareth Coker – an Ivor Novello Award winner and multi-BAFTA-nominated composer.īoth of these soundtracks form the musical material of The Symphony of the Spirits, the second concert of Game Music Festival 2022. Composed by Gareth Coker, the soundtrack combines sublime melodies with lyrical themes to form a warm and organic soundtrack. Ori and the Blind Forest is remembered to this day as one of the most ambitious platformer games, not merely because of its flawless mechanics and visual design but also – if not mainly – because of its music. Meet & Greet session with composer Gareth Coker.
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Its members have been given the honour of interpreting these vibes on stage they are certainly up to the challenge, having previously performed the Jazz of Grim Fandango in an earlier GMF tribute to a cult classic OST. In the game, which adopts a dynamic ‘rubber hose’ animation style and aesthetic, two cup-like brothers strive to repay their debt to the devil such a classic and stylistic setup deserves a proper soundtrack, something that Kristofer Maddigan bountifully delivers.įull of early big-band jazz mixed with ragtime music, Cuphead’s original soundtrack swiftly transports the listener to a world inspired by Duke Ellington and Count Basie, but always with a lively twist.īartosz Pernal Orchestra is a highlight among contemporary European big bands.
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Paying homage to the golden age of cartoons, Cuphead’s bold and brazen style shook the video game industry to such a degree that Cuphead-based Netflix series is already in production, while the soundtrack itself won BAFTA’s prestigious Games Award for Best Music. Meet & Greet session with composer Kristofer Maddiganįor VIP tickets holders: will be hosted online.